5 Stars4 Stars3 Stars2 Stars1 Star (35 votes, average: 3.34 out of 5)

5 Stars4 Stars3 Stars2 Stars1 Star (3 votes, average: 4.00 out of 5)

5 Stars4 Stars3 Stars2 Stars1 Star (5 votes, average: 4.20 out of 5)

Everybody has to see this, and your ears will smile :). YouTube

“The Amperex 7316 early version, with a D-getter, is not as fat, lying sonically between the Mullard and Telefunken, it is extremely sweet with a euphonic rounded midrange and good bass.” Read

“They have excellent prat, but sound a little bright in my system. The mids are warm and clear. They are nice tubes, but not worth paying a premium for.” Read

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5 Stars4 Stars3 Stars2 Stars1 Star (31 votes, average: 3.84 out of 5)

5 Stars4 Stars3 Stars2 Stars1 Star (8 votes, average: 4.25 out of 5)

“…to listen to your Amperex D-Getter 12AU7 1959 vintage because it most closely approximates “The Tube of No Tube”. Read

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5 Stars4 Stars3 Stars2 Stars1 Star (18 votes, average: 3.67 out of 5)

“… they are amazingly lush and deep, but still with good detail and imaging….” Read

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Today, we are completing the Mullard saga by putting the legendary 12AU7 family to the test. I decided to “tube roll” three distinct, “king of the hill” variants: the Short Plates, the Box Plates, and the Long Plates. Each brings a unique flavor to the table, and the results were nothing short of captivating.

5 Stars4 Stars3 Stars2 Stars1 Star (4 votes, average: 4.75 out of 5)

“…this tube was actually manufactured in the Mullard factory in India. Still a fantastic tube and delivers that glorious midrange you’d expect from Mullard.”